Why do they ring? Maybe one reason is the odd arrangement of octave pairs and unison pairs. The two highest courses are unisons ("e' e' and b b" at concert pitch). The other 4 courses are usually octave pairs. So when you play this:
It sounds like this:
Sweet!
UPDATE: Just to clarify, I think the unisons on the first and second course enhance the effect of the octave courses. The intervals are more interesting. Above, for example, the fifths are getting more 'juice' than the thirds. If all the strings were octaves you wouldn't get this.
Tips, Techniques, Examples about my favorite musical instrument, the Twelve-String Guitar.
If you play guitar check out Playing Technique, or Strings / Setup. There are also some interesting posts about guitars at, you guessed it, Guitars.
If you want to spread your musical talents around, you will find some good info at Recording.
Marketing - meh - I'm probably the world's best bad example. Although you could find funny stuff there.
I've made some music videos through the years, and you can find them and other interesting music at Music I Like, Music I Play.
If you play guitar check out Playing Technique, or Strings / Setup. There are also some interesting posts about guitars at, you guessed it, Guitars.
If you want to spread your musical talents around, you will find some good info at Recording.
Marketing - meh - I'm probably the world's best bad example. Although you could find funny stuff there.
I've made some music videos through the years, and you can find them and other interesting music at Music I Like, Music I Play.
1 comment:
Once, during on of my experimental (emphasis on mental) phases, I tried using an octave string on the 2nd pair - the B string in standard tuning. I used both a wound string (.023) and a plain string (.017) as the fundamental.
In both cases, it lost something. So I agree with you about the unisons.
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